![]() “I think they said $100, and I said, ‘Mmm, nah, would you take less?’ And they said, ‘No.’ And I said, ‘Nah, I’m not spending that.’ So we get in the car, and we’re leaving, and we go up the road, and I say, ‘Oh, Frank, I gotta have Aunt Jemima. “I asked how much they wanted for it,” Robinson said. Dora Robinson holds the cast-iron figure of Aunt Jemima, originally used as a doorstop, which she found at a yard sale in upstate New York. Robinson and her husband, Frank, had stopped at a yard sale - run by a white woman - when she picked up the rusted, dirty, cast-iron doorstop. “Yeah, she probably weighs about five pounds. “Ooh, she’s heavy,” Robinson said during a visit at her home. Still, the last place Dora Robinson expected to find Aunt Jemima was along a back road in upstate New York. She was called Mammy or Aunt Jemima - a stereotype of black womanhood that could be found everywhere: in movies, cartoons and commercials in the form of syrup bottles and figurines on kitchen counters. It’s an image of black servitude etched deeply into the American psyche: a robust woman of dark complexion, a scarf tied around her head. In Springfield, Massachusetts, an African-American woman quietly brought Aunt Jemima into her home. But not all acts of confrontation and reconciliation occur in public. ![]() Monuments to the Confederacy have become sites of renewed controversy in recent months. Her home is filled with artwork from the African diaspora that she's collected over the years. ![]() Facebook Email Dora Robinson in her living room in Springfield, Massachusetts.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |